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Frida Kahlo Amah and i mk118
1937
Oil on canvas
30.5x34.7cm
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Frida Kahlo Maintain firmness mk118
1946
Oil on canvas
55.9x40.6cm
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Frida Kahlo All up mk118
1945
Oil on canvas
28x36cm
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Frida Kahlo Four denizen in Mexico mk118
1937
Oil on canvas
31.4x47.9cm
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Frida Kahlo The doll and i mk118
1937
Oil on canvas
40x31cm
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Frida Kahlo The monkey and i mk118
1937
Oil on canvas
40x28cm
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Frida Kahlo The Portrait of monkey and i mk118
1938
Oil on canvas
40.6x30.5cm
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Frida Kahlo The Artist mk118
1938
Oil on canvas
71x52cm
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Frida Kahlo Fruit mk118
1938
Oil on canvas
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Frida Kahlo The still life having the fruit mk118
1938
Oil on canvas
25.4x35.6cm
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Frida Kahlo The still life having pyriform fruit mk118
1938
Oil on canvas
19.7x24.8cm
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Frida Kahlo Self-Portrait mk118
1938
Oil on canvas
50x39.5cm
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Frida Kahlo Commit suicide mk118
1938-1939
Oil on canvas
60.4x48.6cm
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Frida Kahlo Self-Portrait mk118
1940
Oil on canvas
61x43cm
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Frida Kahlo Two People mk118
1931
Oil on canvas
100x79cm
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Frida Kahlo self-portrait mk118
1943
Oil on canvas
76x61cm
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Frida Kahlo A small stab mk118
1935
Oil on canvas
38x48.5cm
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Frida Kahlo Injured heart mk118
1937
Oil on canvas
40x28.3cm
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Frida Kahlo The Self-Portrait of short hair mk118
1940
Oil on canvas
40x 27.9cm
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Frida Kahlo Self-Portrait mk118
1941
Oil on canvas
55x43.5cm
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Frida Kahlo
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1907-54
Mexican painter, b. Coyoacen. As a result of an accident at age 15, Kahlo turned her attention from a medical career to painting. Drawing on her personal experiences, her works are often shocking in their stark portrayal of pain and the harsh lives of women. Fifty-five of her 143 paintings are self-portraits incorporating a personal symbolism complete with graphic anatomical references. She was also influenced by indigenous Mexican culture, aspects of which she portrayed in bright colors, with a mixture of realism and symbolism. Her paintings attracted the attention of the artist Diego Rivera, whom she later married. Although Kahlo's work is sometimes classified as surrealist and she did exhibit several times with European surrealists, she herself disputed the label. Her preoccupation with female themes and the figurative candor with which she expressed them made her something of a feminist cult figure in the last decades of the 20th cent.
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